Entrants must prepare THREE contrasting arias from THREE different operas from at least TWO musical periods and in at least TWO languages:
- One aria from before Mozart's death;
- One aria from after Mozart's death - 1791;
- The remaining aria may be from any period.
Note: See Item 5 under the 'Conditions' for this Scholarship.
Arias are to be performed as follows.
* By Audio Recording: Submission Date Monday 1 June 2020 (without edit) ONE aria of own choice
* By Live Performance: Sunday 14 June 2020 - ONE aria of own choice
Semi-Final: Saturday 4 July 2020 - The two remaining arias
Final: Sunday 26 July 2020 at The Concourse Concert Hall, Chatswood - two arias from the three previously sung.
IMPORTANT: Entrants electing to participate in the heats via audio recording are required to submit a recording of a performance made in 2020. Those found in breach of this will be disqualified and possibly banned from entering this event in future years.
Email: email@example.com if you have any questions relating to this audition method AND TO SEND ALL INFORMATION FOR THIS SCHOLARSHIP.
No Official Accompanist provided for the Heats, Semi-Final or Final. Finalists will be required to bring their accompanist for ONE ARIA in the Final. Accompaniment for the other aria will be by the Willoughby Symphony Orchestra.
1. Previous winners not eligible.
2. Event is open to any singer who is a citizen or permanent resident of Australia or New Zealand.
3. Semi-Finalists will be required to produce proof of age and residency before they are allowed to compete (e.g. birth certificate or an Australian or New Zealand passport or a permanent resident stamp. A driver's licence is not acceptable).
4. REPERTOIRE: Arias may be chosen from the entire range of the operatic literature as currently performed in major opera houses around the world, including Baroque, Classical, Romantic, Verismo, Modern, Opera Comique and Operetta.
SPECIAL NOTE: Dr Nicholas Milton AM, Conductor of the Willoughby Symphony Orchestra will choose ANY ONE of the THREE arias for the orchestral accompaniment at the Final. The finalists will not have that choice. Singers are encouraged to choose arias from the standard operatic repertoire in order to ensure that orchestral music is available for at least one of their selections.
5. Arias are to be no longer than ten (10) minutes each including recitative (if any). Cuts may be made if necessary. Long instrumental preludes or interludes should be curtailed.
6. All arias must be sung in the original key and language set by the composer, performed from memory with piano accompaniment.
7. The title of ALL THREE ARIAS and a 200 word biography in paragraph format (as a Word file, not printed) MUST BE EMAILED to: firstname.lastname@example.org NO LATER THAN Monday 1 June 2020 or entry may be forfeited. No changes to the nominated arias will be allowed within the fortnight before the commencement of the heats.
8. All of the arias may be repeated ONCE in other events (see Item 7 under the Classical Singing Category Rules & Conditions).
9. One copy only of each aria must be supplied for the adjudicators at the Heat and Semi-Final. No music required at the Final.
10. Adjudicators' reports will be written for the preliminary heats only. No marks will be given on these reports.
11. Singers chosen for the Semi-Final will be announced no later than Tuesday 23 June 2020. EIGHT FINALISTS AND TWO RESERVE FINALISTS will be selected for the Final.
12. ACCOMPANIST: No Official Accompanist provided for the Heats, Semi-Final or Final. Finalists will be required to bring their accompanist for ONE ARIA in the Final. Accompaniment for the other aria will be by the Willoughby Symphony Orchestra.
13. COMPULSORY Rehearsals: Finalists must be available for:
* Orchestral rehearsals on Saturday 25 July: 2:30pm-5:30pm - TBC
* Compulsory piano/orchestral rehearsal (with their private accompanists and the conductor) on the day of the Final - Sunday 26 July 2020 viz:
- Piano Rehearsal with private accompanist: 10am-11:30am - TBC
- Orchestral Rehearsal: 12:30pm-3:30pm - TBC
14. It is compulsory for Finalists and the Reserve Finalists to be present at the conclusion of the Semi-Final for interviews with the adjudicators, have photographs taken and be informed about the proceedings for the Final.
15. The awarding of the Scholarship is at the absolute discretion of the adjudicators and is given on the understanding that the Winner will undertake overseas study for the operatic stage, including vocal tuition/coaching, languages and stagecraft.
16. The Winner is required to submit a detailed plan of study to Sydney Eisteddfod, after which payment of the Scholarship will be made progressively upon production of written reports from the teacher or institution. The Scholarship must be taken up within two years from the date of winning and completed within one year thereafter or be forfeited.
17. The Winner and Finalists must be reasonably available for media interviews and to perform without fee in future Showcase performances nominated by and in the interest of Sydney Eisteddfod.
Total Prize value exceeds $61,000
Sydney Eisteddfod John Lamble Foundation Winner Scholarship:
$3,000 cash plus a $37,000 Scholarship and a return economy airfare (up to the value of $3,000) to undertake overseas study for the operatic stage, including vocal tuition/coaching, languages and stagecraft.
Opportunity to attend rehearsals at Opera Australia in Melbourne or Sydney and observe an opera throughout the stages of its production.
2nd Scholarship: $10,000 ($2,000 cash plus a $8,000 Scholarship paid in two equal instalments). Sponsored by Sydney Savage Club, Margaret Moore, Arete Zantiotis and John Germain Memorial Funds.
3rd Prize: $5,000. Sponsored through Sydney Eisteddfod.
Finalists: $1,000 each (excluding place-getters). Sponsored by Michael Taylor, from the Estate of the late Miss Paula Clarkstone OAM, from the Leslie Andrews Memorial Awards & through Sydney Eisteddfod.
Willoughby Symphony Orchestra, in consultation with their Artistic Director Dr Nicholas Milton AM or a representative, may offer one of the finalists a professional engagement with the WSO in the next two years, subject to availability and suitability with the WSO's concert programming.
Two Finalists will also be invited to compete in the '2020 Fine Music Young Virtuoso Award Final (DATE: TBC) at The Founders Studio, Fine Music Sydney)'. Please refer to the conditions below for more information.
Classical Singing Category Rules & Conditions
Classical Singing Category Rules & Conditions
The following rules and conditions are specific to the CLASSICAL SINGING Category. Please also read the General Rules & Conditions of Entry.
1. Performances are for soloists unless an event indicates otherwise.
2. Registration and performance rules are strictly enforced. Please refer to the General Rules & Conditions of Entry Items 17 to 28.
3. COMPULSORY FESTIVAL e-PROGRAM: Purchase of an Festival e-Program is compulsory for all entrants. Teachers submitting entries for individual students MUST PURCHASE a Festival e-Program for each soloist, except where they share the same family address. As the online entry form only allows for one compulsory Festival e-Program on checkout, teachers who enter multiple students on the SAME online entry form are requested to email: email@example.com to complete their compulsory Festival e-Program purchase requirements.
4. TEACHER’S PASS: Teachers who have submitted 10 or more students in SOLO events will be eligible for ONE Festival Pass. To claim, they should email: firstname.lastname@example.org no later than Friday 29 May, 2020 giving details of each student's name and the event number they are entered. Please allow 10 working days to receive this Pass in the mail. An administrative charge of $10 needs to be paid, so please be sure to arrange for this payment at the same time as when applying.
5. Time limits allow for the presentation of ONE OR MORE ITEMS, unless otherwise stipulated, provided they fit within the nominated time limits. Limits are strictly monitored and entrants exceeding ‘Total Performance Time’ will be eligible for ‘comments only’ - not for a placing. Please refer to Item 27 in the General Rules & Conditions of an entry.
6. A different item is required for each event unless repeats are specifically allowed. Items performed in a Heat must be repeated in the Final unless otherwise stipulated.
7. If it is specifically indicated that an item may be repeated, it may be repeated ONLY ONCE except when progressing to a Final. An entrant found repeating an item other than where allowed will be eligible for 'comments only' - not for a placing.
8. These events are for voice with acoustic piano accompaniment unless otherwise specified. No microphones or recorded backing allowed.
9. All items must be sung in the original language as set by the composer, unless specified otherwise.
10. Published or unpublished work is allowed unless the event states otherwise. Personal transposition of music is permitted ONLY in folk song and junior vocal events.
11. A copy of the music, in performance order, labelled with Event & Entrant numbers MUST BE provided for the adjudicator, including the name of the item and the composer clearly marked. Only original published music will be returned. Photocopies will not be returned as per APRA/AMCOS Policy.
12. Subject to the venue, there may be no warm-up or dressing room facilities. For events being held in Shore School (Orchestra Room/Playfair Hall) there are limited warm-up rooms available on Level 2 above. It is the entrant’s responsibility to be present inside Orchestra Room/Playfair Hall when they are announced to go on stage. No facilities are provided to inform you about your performance in the warm-up rooms. Entrants are called from the auditorium except in a Final.
a) NO OFFICIAL ACCOMPANISTS provided for events ‘Any Age’ and Events 1, 2, 21-29 & 30.
An Official Accompanist will be appointed for Events 31-43. Details available in May 2020.
b) See ‘Directory of Accompanists’ in Entrant Corner.
c) The Official Accompanist is free at the event itself but prior rehearsal is advised. Entrants should make an appointment at least three weeks before the performance date. Accompanists’ rehearsal availability is quickly booked out. Accompanists are not obliged to play poorly presented, difficult or illegible music at sight. Our recommended rehearsal fee is $45 per half-hour.
d) Singers can appoint their own accompanist if they wish to and accompanists need not conform to the age requirements and can play for more than one entrant.
e) Accompanist are welcome to bring along a page-turner should they wish, but the page-turner need to purchase an admission ticket.
14. JUNIOR VOCAL (15/u) - Events 40-43: Items performed can include operetta, folk, G&S, music theatre or animated films (Disney), unless otherwise specified. Events are for voice with acoustic piano accompaniment unless otherwise specified. Non-amplified. No microphone or recorded backing allowed. No scenery, minimal props.
General Rules & Conditions of Entry
General Rules & Conditions of Entry
All performers enter and participate in the Sydney Eisteddfod according to these General Rules & Conditions and any other rules and conditions specific to categories and individual events.
For the purposes of the following: ‘Eisteddfod’ is Sydney Eisteddfod, which is the organising body; ‘Official’ is a representative authorised by the Eisteddfod; ‘Event’ is a competition event identified by a program number; ‘Session’ is the time period in which one or more events are timetabled; ‘EST’ is the ‘Estimated Starting Time’ for an event within a session; ‘Category’ is a grouping of like events.
1. Events are open to all comers, subject to stipulated individual event conditions.
2. Entries must be received at the office of the Eisteddfod prior to the close of each event. Please refer to our FAQs. Entries must be completed correctly and accompanied by full fees including program cost or they will not be processed. Responsibility for correct entry rests with the entrant. The Eisteddfod cannot be responsible for entries lost in the mail, delivered incorrectly, or lost through failed electronic transmission. An ENTRY ACKNOWLEDGEMENT RECEIPT will be sent to the email address provided on the entry form, confirming the events entered and fees paid. Entrants must contact the Eisteddfod if this acknowledgement is not received within 10 days of lodgement. Entrants are advised to check the details carefully and notify the Eisteddfod immediately of any errors, including spelling of names, etc. Corrections cannot be made after final timetabling.
3. All Eisteddfod correspondence is via email. It is the entrant’s responsibility to ensure that Sydney Eisteddfod emails are not blocked by spam filters.
4. Entry fees are not refundable except when an event is cancelled or in accordance with the Eisteddfod's current health and safety policy. Entry fees cannot be transferred to another event should entrants change their mind after final timetabling.
5. Entries submitted after the commencement date of the Eisteddfod will be subject to an additional (late) fee. Late entries are only accepted without obligation, subject to final timetabling and capacity. Sydney Eisteddfod reserves the right to publish a list of ‘additional entries’ on its website in Entrant Corner with further extra names sent to venues.
6. A person or group is permitted to enter only ONCE in the SAME event, except where otherwise allowed. A school can enter more than one group in the same event provided individuals appear once only; non-playing and non-singing conductors excepted. School events can only be entered with bonafide students of the school. Schools which enter more than one group in an event must supply a list of names in each group when they register on the day of the performance, otherwise only the first group programmed will be eligible for a prize.
7. The names and birth dates of all entrants must be provided for solos, duos, trios and quartets.
8. No person may enter under a name other than their own LEGAL NAME. Entries are NOT TRANSFERABLE from one person to another in events where individual performers are named.
9. Prize cheques are automatically payable in the name of the published entrant or institution where supplied for group events. Cheques for groups not identified as a school or registered entity will be made out to the person named as submitting the entry. Cheques are posted to the address listed on the entrant’s Appearance Advice within 1 MONTH of the conclusion of the event. Entrants must ensure that address details are correct and that Sydney Eisteddfod is informed of any change. Please refer to Item 10 below. If a cheque is lost due to incorrect address, then a fee as indicated will be charged for a replacement. Cheques must be banked within 3 months of issue. After this they will be cancelled.
10. A fee of $30 will be charged if a cheque is dishonoured, a credit card is refused by the bank due to incorrect numbers listed, or a replacement prize cheque is requested.
11. Purchase of a Festival e-Program is compulsory for all entrants except where they come from the SAME FAMILY ADDRESS. Duo/Trio entries must purchase one program per entry. Teachers submitting entries for individual students must include the cost of a Festival e-Program for each student, except where students share the same family address. It is recommended that groups from the same academy or school buy a Festival e-Program for EACH teacher/conductor/supervisor.
12. An Appearance Advice for each event entered will be emailed to the address supplied on the entry form after final timetabling is completed, listing event date, session time, venue and entrant number. This document should be brought to each event for identification purposes. This may be presented electronically on a phone or tablet if preferred. Please email email@example.com if this Advice hasn’t arrived by the end of the third week of April.
13. The Eisteddfod reserves the right to amend or refuse entry; to disqualify or deny participation; to alter or reduce the prizes as published; or to amend, cancel or combine any event, particularly should there be insufficient entries.
14. Entrants must perform in events applicable to their age only, unless an event has no age specified. Age is determined as at 31 DECEMBER of the current Eisteddfod year. Event restrictions such as ‘16 and under’ mean that only those who are 16 or younger on 31 December of the current Eisteddfod year may take part. Performing in a different age group for any reason is strictly prohibited.
Events titled ‘Any Age’ ARE OPEN TO EVERYONE and can be entered by persons of any age.
15. At events where an age limit is specified, every entrant (including group members) must have proof of age available on the spot if requested by an official (e.g. copy of birth certificate, etc) or risk disqualification. Random age checks may be carried out. A group member in contempt of age requirements will render the whole group liable to disqualification and possible bar from participation the following year.
16. Age limits do not apply to non-playing / non-singing conductors and private/official accompanists.
17. Entrants perform at their own risk. Entrants agree they are of good health and fitness and physically able to participate in an event. No liability will be accepted for any injury sustained whilst carrying out that performance.
18. Entrants are expected to be prepared for their event at the time of performance. Sydney Eisteddfod representatives and adjudicators are not permitted to advise, interpret or vary any rules, conditions, or any aspect of the conduct of the Festival, and the Eisteddfod will not accept responsibility for any effect arising from such unauthorised comment.
19. Entrants (or a representative) must register with the Session Manager (or as directed) AT LEAST 15 MINUTES before the start of the session or EST time (Estimated Starting Time) as advertised. Please allow time for transport delays or parking.
20. Registration can be only accepted prior to the Session Manager declaring the session open. Late registration, or those who miss their turn may perform at the end of the event or division for 'comments only' - not for a placing, and subject to time.
21. Entrants must appear in strict numerical order except in circumstances approved in advance by the Eisteddfod. Such requests must be submitted, with appropriate evidence within 10 working days before the event date via email to firstname.lastname@example.org. The order of performance in Finals is at the discretion of the Eisteddfod. All entrants must be ready to perform when called.
22. An Event or Division with an EST will never commence before this time but may commence after this time if the proceeding event or division runs overtime.
23. A copy of ‘Own Choice’ material must be provided for the adjudicator (unless the event states otherwise) and should be given to the Session Manager when registering on the day of performance. Only original published music (submitted at your own risk) should be collected immediately at the conclusion of the event. Photocopies will not be returned as per APRA/AMCOS policy. The onus of choosing the correct material rests with the entrant. Suitability, quality of choice and degree of difficulty are taken into consideration by the adjudicator.
24. Published or unpublished work is allowed unless a ‘Test’ is specified. No personal transposition of music is permitted except in folk song, junior vocal, contemporary singing, choral, instrumental solo and group events.
25. A different item is required for each event unless repeats are specifically allowed. Items performed in a Heat must be repeated in the Final unless otherwise stipulated. If it is specifically indicated that an item may be repeated, it may be repeated ONLY ONCE except when progressing to a Final. An entrant found repeating an item other than where allowed will be eligible for 'comments only' - not for a placing.
26. Groups performing in Finals must consist of the same individuals as in the Heats, without augmentation unless prior permission is sought and granted by the Eisteddfod.
27. Performances must be kept within specified time limits. If a performance goes under a stipulated minimum or over the maximum time, the entrant will not be eligible for a prize, and receives ‘comments only’. Except for announcement of the item title, time is determined from the first note, dance step, action or word spoken to the last note, dance step, action or word spoken. Bows during the music are timed. If separate times are noted for ‘A’ and ‘B’ test items, the clock will stop for each. If a ‘Total Performance Time’ is indicated, the clock will not stop between any selections or movements. The Eisteddfod timekeeper’s record is final.
28. Entrants may themselves announce only the title of their performance item/s. The Session Manager is not required to make this announcement.
29. Entrants will not be permitted to perform ‘out of section’ to qualify for championship events. All prerequisite events must be performed in order to qualify for championships.
30. Accompaniment in vocal and instrumental events must be acoustic piano except where otherwise stated, or the original has an obligato instrument. In ‘Test’ marked ‘unaccompanied’ only a keynote or chord can be given before the performance commences.
31. Official accompanists, if appointed, are not obliged to play poorly presented, difficult or illegible music at sight. Prior rehearsal is always advisable. Private accompanists do not need to purchase an admission ticket, provided they introduce themselves to the ticket seller, and enter the auditorium with the entrant and both register with the Session Manager.
32. Where recorded accompaniment is permitted, this must be on CD or USB except where submission by emailing an MP3 file (not M4a or MP4 format) is specifically requested. After receiving revised advice from APRA/AMCOS, Sydney Eisteddfod will once again RETURN CDs & USBs TO ENTRANTS. These need to be collected with the reports at the conclusion of each event. CDs & USBs will only be kept for one week after the conclusion of an event, after which they will be securely destroyed and recycled.
33. Please ensure the CDs are burned properly, as per the guidelines given, and tested in a music system (not on a computer or car music player). In case of CD failure, subject to the venue, USB or phone can be used, as a backup. Do not use labels on CD as this may cause CD player failure (refer to separate ‘CD & USB Policy’).
34. USB must be clearly named with a tag including Entrant Number & Event Number. USBs will NOT BE ACCEPTED if this information is not clearly marked. There must only be ONE file on the USB handed in for the Audio Technician to play. If more than one file is on the usb this will hold up the event and marks may be deducted.
35. Each CD or USB audio file must contain only ONE item (refer to separate ‘CD & USB Policy’).
36. No entrant may rehearse in competition venues during the period of the Eisteddfod except in official rehearsals arranged by the Eisteddfod.
37. No teacher, parent or designated supervisor (unless an accompanist or conductor) will be allowed on stage or in the wings at any time, except those registered in a supervisory capacity with groups. For further information please refer to Choir category rules & conditions No 20d, Instrumental Group category rules & conditions 17d, Speech & Drama category rules & conditions No 4 and Dance category rules & conditions No 4. These supervisors must be listed with the Session Manager when registering at the event. Supervisors must remain with their group at all times but are not permitted on stage unless performing with their group.
38. Prompting is not permitted, except by the adjudicator only in junior speech & drama events if deemed necessary.
39. In case of CD accompaniment failure during performance, the entrant should stop singing or dancing, leave the stage immediately and wait for instruction from the Session Manager. Once the sound technician has loaded the back-up CD, the entrant may recommence performance without penalty. In ‘live’ performances, any entrant who ‘breaks down during their performance’ or ‘suffers memory lapse’ and leaves the stage will receive ‘comments only’, unless they remain on stage and continue their performance within the time limit.
40. Standard of dress is as important as the performance. Personal presentation appropriate to a stage appearance may be taken into consideration. It is the teachers and parents responsibility to ensure that all competitors dress age appropriately. The use of explicit language and gestures is prohibited, and entrants should avoid items of an overtly sexual or undignified nature. If content is deemed inappropriate by the adjudicator, marks will be deducted.
41. Entrants must used dressing rooms provided and not dress in hallways or foyers.
42. BAD BEHAVIOUR: A high standard of decorum is expected from all participants and patrons. Behaviour, which is contrary to the spirit of the event, especially if directed at Eisteddfod representatives, adjudicators or entrants, will result in the offender/s being asked to leave. Offending entrants or entrants associated with offenders will be disqualified and may incur future bar.
43. Any person or group found responsible for defacing or damaging a venue or equipment will be disqualified and the Eisteddfod may take steps to recover from them any costs of repair. Supervisors of groups must remain with their groups at all times and will be held accountable for the actions of their groups.
44. The adjudicator/s' decision in accordance with the rules is final.
45. If fewer than five entrants register on the day of performance, or if a satisfactory standard is not achieved, the decision to award prizes will be at the discretion of the adjudicator. Prizes cannot be divided and none extra to those listed in the event program can be awarded (e.g. tied positions are not permissible). Should the Eisteddfod or the adjudicator decide not to award a prize, such decision shall be final and binding.
46. Any person who is related to, or been taught or coached privately by an appointed adjudicator during the six months preceding the opening date of the Eisteddfod is barred from participation under that adjudicator.
47. Communication with an adjudicator is strictly prohibited. If it is established that an entrant or person associated with an entrant has made personal contact with the adjudicator before or during a session that entrant will be disqualified.
48. A substitute adjudicator may be used for a listed adjudicator. Any event may be divided for program purposes and any event time or date may be altered if necessary.
49. An adjudication report, if written, will be available free of charge to the entrant or in the case of groups, the supervisor. Please note reports cannot be scanned and emailed to entrants, however reports may be posted if a stamped self-addressed envelope, with the event and entrant numbers clearly identified, is supplied to the Eisteddfod to an address matching our records.
50. Any protest on the basis of age or ‘vocals on CD’ will be determined on the spot by the Session Manager by inspecting proof of age or checking the submitted recording. Please refer to Item 51 below.
51. Any protest of a technical nature other than in Item 50 must be referred to the Eisteddfod for settlement and its decision accepted without further question. Such protests must be in writing accompanied by a deposit of $50 and lodged at the registered office of the Eisteddfod no later than 4pm on the first working day after the event affected. If the protest is upheld the deposit will be refunded. Please refer to Item 52 below.
52. A protest can only be lodged by an entrant, teacher or parent affected in solo events or in the case of groups, by the group’s conductor or representative as named on the entry form for the event or by the principal of a school or academy.
53. Legal requirements prohibit private use of cameras or recording devices at our venues and events. Laptops, iPads, tablets, pagers, alarms, personal headsets and all other electronic devices must be switched off in competition venues.
54. The Eisteddfod will not be liable for personal items lost or stolen. Valuables should not be brought into competition venues and any school bags, handbags, instruments or other items should be under the supervision of someone nominated by the entrant at all times. Lost property will be held by the Eisteddfod office or venue for two months only.
55. The Eisteddfod will not be liable for any copyright infringement relating to the submission of photocopies. Entrants should be aware of the APRA/AMCOS rules of copyright.
56. Any rights that should be obtained in respect of recorded music for performance are the responsibility of the performer. The Eisteddfod holds a licence issued by APRA/AMCOS.
57. The Eisteddfod reserves the right to record, film, broadcast, telecast, videotape or photograph any entrant, item or event in the Eisteddfod without notification and any such photograph, recording or broadcast may be used at the Eisteddfod’s discretion for publicity or promotional purposes, but shall not necessarily constitute an endorsement of any participants, and no remuneration or compensation whatsoever shall be attributable to any participants so featured.
58. The Eisteddfod, at its sole discretion, may promote or publicise the profile of any entrant and their participation and publish names and suburbs in the festival program and competition results, including photos via electronic and printed media at its discretion.
59. Personal details provided by an entrant on the entry form are for the Eisteddfod identification use only and are not released to third parties except at the Eisteddfod’s discretion after consultation with the entrant to known organisations when an opportunity may be beneficial to an entrant.
60. Failure to comply with any of the foregoing rules and conditions may cause withholding of prizes, disqualification, and/or a future bar. The decision of the Eisteddfod in all questions or disputes arising out of or not provided for by these rules and regulations will be final. All entries are received according to this condition and in the spirit of friendly competition upon which the Eisteddfod is based, and no dispute shall become the subject of any appeal at law.
61. TICKET SALES: Tickets are non-refundable. All patrons (including children) must hold a valid ticket for the ‘Principal Dates’. At general sessions, all children 4 years and over will be required to have a valid ticket.
You may wish to refer to our FAQs for other useful information.
Directory of Eisteddfod Accompanists
Please check back in April 2020 for the Directory of Eisteddfod Accompanists.
2020 Fine Music Young Virtuoso State Final - Sydney Eisteddfod Opera Scholarship
2020 Fine Music Young Virtuoso State Final - Sydney Eisteddfod Opera Scholarship
Fine Music Sydney has joined with Sydney Eisteddfod to select Two Finalists, 30 years and under in age, from this event who will be invited to compete in the “2020 Fine Music Young Virtuoso Award Final (DATE TBA) at the Founders Studio, Fine Music Sydney” with the Winner representing the State in their “National Finals” (VENUE AND DATE TBA).
Age limit for entrants is 30 years and under as at December 31, 2020. Finalists must be Australian or New Zealand permanent residents and have resided in the state of NSW for at least twelve (12) months prior to 31 November 2020 in order to represent NSW in the YVA State and National Finals. They must also not have been entered into a competition hosted by another MBS Station in 2020. Previous winners are also not eligible.
Repertoire for State Finals: Selected Finalists must prepare at least two contrasting items, with a total maximum duration of up to 15 minutes. Finalists need to understand that the timing will be strictly monitored. Fine Music Sydney broadcasts primarily classical and jazz music. Finalists should keep this in mind when choosing their repertoire.
Accompanist: Finalists are expected to organise their own accompanists for the State Final, if applicable.
Finalists will be provided more information upon selection and after accepting their nomination.
Levels in this Event
|Audio Recording Submission Date (Tentative)||1/6/20|
|Heats - Live Performance (Tentative)||14/6/20||Shore School - Smith Auditorium, North Sydney|
|Heats - Audio Recordings (Closed to Public) (Tentative)||14/6/20||Shore School - Smith Auditorium, North Sydney|
|Semi-Final (Tentative)||4/7/20||Shore School - Smith Auditorium, North Sydney|
|Final||The Concourse - Concert Hall, Chatswood|