Two variations are required:
a) One from the traditional classical repertoire listed below.
b) Free contrasting solo of up to 3 minutes.
No tap shoes allowed. This Free Variation may be repeated in ONE other dance event.
Please refer to Item 7 under the Dance Category Rules & Conditions. Entrants are advised that it is important to show elements with ground and air usage, dynamic movements that cover space and are in contrast to their classical solos, to show diversity.
Finalists repeat both variations in a deciding final at the Sydney Opera House - Concert Hall (Sunday 28 August 2022). Backing USBs will be the same accompaniment as used by the entrants in the heats.
Class allocation for all interstate/regional entrants will be scheduled for the last day only if entries are received on or before the earlybird closing date of Monday 21 March 2022, after which they will be allocated into any of the classes where there are spaces.
Note: Proof of Age & Residency Requirements.
1. Previous winners not eligible.
2. Open to any dancer who is a citizen or permanent resident of Australia or New Zealand.
3. Dancers who accept an 'Apprentice Scholarship' or a 'Contract' with a company AND those who are already training with an overseas school at the time of the competition are not eligible for these scholarships, but can perform for 'comments only' and are not eligible for a refund.
4. Semi-Finalists will be required to produce proof of age and residency before they are allowed to compete (e.g. original birth certificate or a photocopy OR an Australian or New Zealand passport OR a permanent resident stamp. A driver's licence is NOT acceptable).
5. Entrants are advised to submit PROFESSIONAL QUALITY BACKING USB.
6. Adjudicators' reports will be written for the classical solos only. No marks will be given on these reports.
7. All entrants must attend a Closed Preliminary Class with the Adjudicators.
Dress code for both the Preliminary Class and the Master Class:
- Ladies: Leotard with pink tights and flat ballet shoes with elastics (no ribbons). Please bring your Pointe Shoes for the Master Class (Semi-Final) Class only.
- Gentlemen: Any coloured tights, white tight-fitting top (no singlets), white socks with white shoes, or black socks with black shoes.
NOTE: Entrants not following this dress code may be disqualified.
8. All entrants present their Classical Variation before an audience. Backing USB may be piano or orchestral arrangement. Up to one third of these dancers will be selected as Quarter-Finalists.
9. Quarter-Finalists present their Free Variation before an audience. Up to 20 Semi-Finalists will be selected. Entrants to supply their own PROFESSIONAL QUALITY BACKING USBs for both routines. See Entrant Corner for USB Policy on Sydney Eisteddfod website: sydneyeisteddfod.com.au/cd-and-usb-policy/.
ALL QUARTER-FINALISTS NEED TO BRING THEIR CLASSICAL COSTUMES.
10. Semi-Finalists attend a Closed Master Class with the Adjudicators, from which EIGHT FINALISTS + TWO RESERVE FINALISTS will be chosen.
11. Finalists repeat both Variations in a deciding Final at the Sydney Opera House in the SAME COSTUMES as presented in the heats. Backing USBs will be the same accompaniment as used by the entrants in the heats. It is compulsory to perform in the Final under the direction of an experienced lighting director, appointed by Sydney Eisteddfod.
12. Awarding of the Second Scholarship is at the discretion of the adjudicators and remains subject to performance standard.
13. Winners receive payment of the cash component within 30 days of the Final and Scholarships progressively in instalments upon application as follows:
Study In Australia - Eight equal instalments over one year
Study Overseas - Four equal instalments over one year.
14. To qualify for each instalment, payment is subject to the winner providing satisfactory progress reports of continued study from teachers or teaching institutions.
15. The Scholarship must be taken up within two years from the date of winning and be completed within one year thereafter or be forfeited. If the winner is under, or subsequently accepts, a professional contract, the Scholarship can still be used provided approved tuition or coaching is undertaken and reported as per Condition No 14 above.
16. The Winners and Finalists must be reasonably available for media interviews and to perform without fee in future Showcase performances nominated by and in the interest of Sydney Eisteddfod.
ADJUDICATION PROCEDURE & DATES:
1. All entrants must attend a Preliminary Class with the Adjudicators. Dress applicable to both the Preliminary Class and the Master Class: (DRESS CODE: See No 7 above under the 'Conditions' for this Scholarship).
2. All entrants present their Classical Variation before an audience. Entrants to supply their own backing CD/USB, which may be piano or an orchestral accompaniment.
3. Up to one third of those dancers will be selected for a Quarter-Final. Quarter-Finalists present their free variation before an audience. ALL QUARTER-FINALISTS WILL NEED TO BRING THEIR CLASSICAL COSTUMES on this day.
4. Up to 20 Semi-Finalists will be selected to attend a Master Class with the Adjudicators, from which EIGHT FINALISTS + TWO RESERVE FINALISTS will be chosen.
5. All Finalists will be interviewed by the Adjudicators after the Master Class.
All entrants are advised to have the following information pre-prepared as finalists will be asked to supply this information shortly after they are selected:
- Title of classical variation
- Title AND style of free variation
- A 200-word biography in paragraph format (as a Word document, not printed)
Total Prize Value Exceeds $32,000.
OUTRIGHT WINNER: $18,000 ($3,000 cash plus a $15,000 Scholarship). Sponsored by The Estate of the Late Leslie Andrews, and the opportunity of a short secondment with The Royal Danish Ballet.
2nd Scholarship: $10,000 ($2,000 cash plus an $8,000 Scholarship). Sponsored by Sydney Eisteddfod Jubilee Fund. Awarded at the discretion of the adjudicators to a dancer of a different sex to the winner.
FINALISTS: $1,000 each (excluding place-getters). Sponsored by Sydney Eisteddfod Jubilee Fund.
Bloch for Dancers Gift Cards
Outright Winner: $500
2nd Scholarship Winner: $300.
Finalists (excluding place-getters): $150 each
Both Winners will have the opportunity to attend classes and observe rehearsals, at the discretion of the Artistic Directors, with: The Australian Ballet; Birmingham Royal Ballet, UK Houston Ballet and Houston Ballet Academy, USA and Northern Ballet, Leeds, UK.
Both Winners will have the opportunity to attend classes with English National Ballet School, London.
Both Winners will receive a photographic portfolio to the value of $100 of performance photos taken during the Festival courtesy of WinkiPoP Media.
Selected by their Artistic Director Li Cunxin, or a QB representative, two finalists will be awarded the opportunity to attend classes and observe rehearsals with the Company and/or Academy for one week in 2022.
Tanya Pearson Artistry Award: Presented to the Finalist who displays the highest level of artistry and stagecraft in keeping with the teachings of Tanya Pearson OAM. The recipient will receive an original bronze sculpture, male or female, by renowned artist Linda Klarfeld that has been specially designed and forged in honour of Mrs Pearson.
The Australian Conservatoire of Ballet Performance Awards (at the discretion of their Directors or appointed representative) to one or two Finalists, consisting of a performance fee of $1,000 and return airfares and accommodation (up to 10 days) for recipients living outside Victoria. The prize will be an opportunity to perform, with a full orchestra and international guest artists, in two or three performances of the ACB's December full-length classical ballet production at the Arts Centre, Melbourne.
General Rules & Conditions of Entry
General Rules & Conditions of Entry
All performers enter and participate in the Sydney Eisteddfod according to these General Rules & Conditions and any other rules and conditions specific to categories and individual events.
For the purposes of the following: ‘Eisteddfod’ is Sydney Eisteddfod, which is the organising body; ‘Official’ is a representative authorised by the Eisteddfod; ‘Event’ is a competition event identified by a program number; ‘Session’ is the time period in which one or more events are timetabled; ‘EST’ is the ‘Estimated Starting Time’ for an event within a session; ‘Category’ is a grouping of like events.
1. Events are open to all comers, subject to stipulated individual event conditions.
2. Entries must be received at the office of the Eisteddfod prior to the close of each event. Please refer to our FAQs. Entries must be completed correctly online, or they will not be processed. Responsibility for correct entry rests with the entrant. The Eisteddfod cannot be responsible for entries lost through failed electronic transmission. An ENTRY ACKNOWLEDGEMENT RECEIPT will be sent to the email address provided on the entry form, confirming the events entered and fees paid. Entrants must contact the Eisteddfod if this acknowledgement is not received within 10 days of lodgement. Entrants are advised to check the details carefully and notify the Eisteddfod immediately of any errors, including spelling of names, etc. Corrections cannot be made after final timetabling.
3. All Eisteddfod correspondence is via email. It is the entrant’s responsibility to ensure that Sydney Eisteddfod emails are not blocked by spam filters.
4. Entry fees are not refundable except when an event is cancelled or in accordance with the Eisteddfod's current health and safety policy. Entry fees cannot be transferred to another event should entrants change their mind after final timetabling.
5. Entries submitted after the commencement date of the Eisteddfod will be subject to an additional (late) fee. Late entries are only accepted without obligation, subject to final timetabling and capacity. Sydney Eisteddfod reserves the right to publish a list of ‘additional entries’ on its website in Entrant Corner with further extra names sent to venues.
6. A person or group is permitted to enter only ONCE in the SAME event, except where otherwise allowed. A school can enter more than one group in the same event provided individuals appear once only; non-playing and non-singing conductors excepted. School events can only be entered with bonafide students of the school. Schools which enter more than one group in an event must supply a list of names in each group when they register on the day of the performance, otherwise only the first group programmed will be eligible for a prize.
7. The names and birth dates of all entrants must be provided for solos, duos, trios and quartets.
8. No person may enter under a name other than their own LEGAL NAME. Entries are NOT TRANSFERABLE from one person to another in events where individual performers are named.
9. Prize money is now payable via EFT. Those applicable are requested to supply their bank details no later than 1 MONTH after winning a cash prize. More information on this process will be sent to the Applicant via email, after the event. If you have not received an email within two weeks, please email email@example.com to follow up. Cash Prizes need to be finalised no later than 30 September 2022 or MAY be forfeited.
10. It is an entrant’s responsibility to ensure that all banking information provided is accurate. Sydney Eisteddfod will not accept responsibility for any effect arising from incorrect or mistaken bank details.
11. Purchase of a Festival e-Program is compulsory for all entrants except where they come from the SAME FAMILY ADDRESS. Duo/Trio entries must purchase one program per entry. Teachers submitting entries for individual students must include the cost of a Festival e-Program for each student, except where students share the same family address. It is recommended that groups from the same academy or school buy a Festival e-Program for EACH teacher/conductor/supervisor.
12. An Appearance Advice for each event entered will be emailed to the address supplied on the entry form after final timetabling is completed, listing event date, session time, venue and entrant number. This document should be brought to each event for identification purposes. This may be presented electronically on a phone or tablet if preferred. Please email firstname.lastname@example.org if this Advice hasn’t arrived by the end of the third week of April.
13. The Eisteddfod reserves the right to amend or refuse entry; to disqualify or deny participation; to alter or reduce the prizes as published; or to amend, cancel or combine any event, particularly should there be insufficient entries.
14. Entrants must perform in events applicable to their age only, unless an event has no age specified. Age is determined as at 31 DECEMBER of the current Eisteddfod year. Event restrictions such as ‘16 and under’ mean that only those who are 16 or younger on 31 December of the current Eisteddfod year may take part. Performing in a different age group for any reason is strictly prohibited.
Events titled ‘Any Age’ ARE OPEN TO EVERYONE and can be entered by persons of any age.
15. At events where an age limit is specified, every entrant (including group members) must have proof of age available on the spot if requested by an official (e.g. copy of birth certificate, etc) or risk disqualification. Random age checks may be carried out. A group member in contempt of age requirements will render the whole group liable to disqualification and possible bar from participation the following year.
16. Age limits do not apply to non-playing / non-singing conductors and private/official accompanists.
17. Entrants perform at their own risk. Entrants agree they are of good health and fitness and physically able to participate in an event. No liability will be accepted for any injury sustained whilst carrying out that performance.
18. Entrants are expected to be prepared for their event at the time of performance. Sydney Eisteddfod representatives and adjudicators are not permitted to advise, interpret or vary any rules, conditions, or any aspect of the conduct of the Festival, and the Eisteddfod will not accept responsibility for any effect arising from such unauthorised comment.
19. Entrants (or a representative) must register with the Session Manager (or as directed) AT LEAST 15 MINUTES before the start of the session or EST time (Estimated Starting Time) as advertised. Please allow time for transport delays or parking.
20. Registration can be only accepted prior to the Session Manager declaring the session open. Late registration, or those who miss their turn may perform at the end of the event or division for 'comments only' - not for a placing, and subject to time.
21. Entrants must appear in strict numerical order except in circumstances approved in advance by the Eisteddfod. Such requests must be submitted, with appropriate evidence within 10 working days before the event date via email to email@example.com. The order of performance in Finals is at the discretion of the Eisteddfod. All entrants must be ready to perform when called.
22. An Event or Division with an EST will never commence before this time but may commence after this time if the proceeding event or division runs overtime.
23. A copy of ‘Own Choice’ material must be provided for the adjudicator (unless the event states otherwise) and should be given to the Session Manager when registering on the day of performance. Only original published music (submitted at your own risk) should be collected immediately at the conclusion of the event. Photocopies will not be returned as per APRA/AMCOS policy. The onus of choosing the correct material rests with the entrant. Suitability, quality of choice and degree of difficulty are taken into consideration by the adjudicator.
24. Published or unpublished work is allowed unless a ‘Test’ is specified. No personal transposition of music is permitted except in folk song, junior vocal, contemporary singing, choral, instrumental solo and group events.
25. A different item is required for each event unless repeats are specifically allowed. Items performed in a Heat must be repeated in the Final unless otherwise stipulated. If it is specifically indicated that an item may be repeated, it may be repeated ONLY ONCE except when progressing to a Final. An entrant found repeating an item other than where allowed will be eligible for 'comments only' - not for a placing.
26. Groups performing in Finals must consist of the same individuals as in the Heats, without augmentation unless prior permission is sought and granted by the Eisteddfod.
27. Performances must be kept within specified time limits. If a performance goes under a stipulated minimum or over the maximum time, the entrant will not be eligible for a prize, and receives ‘comments only’. Except for announcement of the item title, time is determined from the first note, dance step, action or word spoken to the last note, dance step, action or word spoken. Bows during the music are timed. If separate times are noted for ‘A’ and ‘B’ test items, the clock will stop for each. If a ‘Total Performance Time’ is indicated, the clock will not stop between any selections or movements. The Eisteddfod timekeeper’s record is final.
28. Entrants may themselves announce only the title of their performance item/s. The Session Manager is not required to make this announcement.
29. Entrants will not be permitted to perform ‘out of section’ to qualify for championship events. All prerequisite events must be performed in order to qualify for championships.
30. Accompaniment in vocal and instrumental events must be acoustic piano except where otherwise stated, or the original has an obligato instrument. In ‘Test’ marked ‘unaccompanied’ only a keynote or chord can be given before the performance commences.
31. Official accompanists, if appointed, are not obliged to play poorly presented, difficult or illegible music at sight. Prior rehearsal is always advisable. Private accompanists do not need to purchase an admission ticket, provided they introduce themselves to the ticket seller, and enter the auditorium with the entrant and both register with the Session Manager.
32. Where recorded accompaniment is permitted, this must be on USB except where submission by emailing an MP3 file (not M4a or MP4 format) is specifically requested. After receiving revised advice from APRA/AMCOS, Sydney Eisteddfod will once again RETURN USBs TO ENTRANTS. These need to be collected with the reports at the conclusion of each event. USBs will only be kept for one week after the conclusion of an event, after which they will be securely destroyed and recycled.
33. Please ensure backing tracks and accompaniment are uploaded onto the USBs properly, as per the guidelines given, and tested in a music system (not on a computer or car music player). In case of USB failure, subject to the venue, a phone can be used, as a backup (refer to separate ‘USB Policy’).
34. USB must be clearly named with a tag including Entrant Number & Event Number. USBs will NOT BE ACCEPTED if this information is not clearly marked. There must only be ONE file on the USB handed in for the Audio Technician to play. If more than one file is on the USB this will hold up the event and marks may be deducted.
35. Each USB audio file must contain only ONE item (refer to separate ‘USB Policy’).
36. No entrant may rehearse in competition venues during the period of the Eisteddfod except in official rehearsals arranged by the Eisteddfod.
37. No teacher, parent or designated supervisor (unless an accompanist or conductor) will be allowed on stage or in the wings at any time, except those registered in a supervisory capacity with groups. For further information please refer to Speech & Drama category rules & conditions No 4 and Dance category rules & conditions No 4. These supervisors must be listed with the Session Manager when registering at the event. Supervisors must remain with their group at all times but are not permitted on stage unless performing with their group.
38. Prompting is not permitted, except by the adjudicator only in junior speech & drama events if deemed necessary.
39. In case of USB accompaniment failure during performance, the entrant should stop singing or dancing, leave the stage immediately and wait for instruction from the Session Manager. Once the sound technician has loaded the back-up USB, the entrant may recommence performance without penalty. In ‘live’ performances, any entrant who ‘breaks down during their performance’ or ‘suffers memory lapse’ and leaves the stage will receive ‘comments only’, unless they remain on stage and continue their performance within the time limit.
40. Standard of dress is as important as the performance. Personal presentation appropriate to a stage appearance may be taken into consideration. It is the teachers and parents responsibility to ensure that all competitors dress age appropriately. The use of explicit language and gestures is prohibited, and entrants should avoid items of an overtly sexual or undignified nature. If content is deemed inappropriate by the adjudicator, marks will be deducted.
41. Entrants must use dressing rooms provided and not dress in hallways or foyers.
42. BAD BEHAVIOUR: A high standard of decorum is expected from all participants and patrons. Behaviour, which is contrary to the spirit of the event, especially if directed at Eisteddfod representatives, adjudicators or entrants, will result in the offender/s being asked to leave. Offending entrants or entrants associated with offenders will be disqualified and may incur future bar.
43. Any person or group found responsible for defacing or damaging a venue or equipment will be disqualified and the Eisteddfod may take steps to recover from them any costs of repair. Supervisors of groups must remain with their groups at all times and will be held accountable for the actions of their groups.
44. The adjudicator/s' decision in accordance with the rules is final.
45. If fewer than five entrants register on the day of performance, or if a satisfactory standard is not achieved, the decision to award prizes will be at the discretion of the adjudicator. Prizes cannot be divided and none extra to those listed in the event program can be awarded (e.g. tied positions are not permissible). Should the Eisteddfod or the adjudicator decide not to award a prize, such decision shall be final and binding.
46. Any person who is related to or been taught or coached privately by an appointed adjudicator during the six months preceding the opening date of the Eisteddfod is barred from participation under that adjudicator.
47. Communication with an adjudicator is strictly prohibited. If it is established that an entrant or person associated with an entrant has made personal contact with the adjudicator before or during a session that entrant will be disqualified.
48. A substitute adjudicator may be used for a listed adjudicator. Any event may be divided for program purposes and any event time or date may be altered if necessary.
49. An adjudication report, if written, will be available free of charge to the entrant or in the case of groups, the supervisor. Please note reports cannot be scanned and emailed to entrants, however reports may be posted if a stamped self-addressed envelope, with the event and entrant numbers clearly identified, is supplied to the Eisteddfod to an address matching our records.
50. Any protest on the basis of age or ‘vocals on USB’ will be determined on the spot by the Session Manager by inspecting proof of age or checking the submitted recording. Please refer to Item 51 below.
51. Any protest of a technical nature other than in Item 50 must be referred to the Eisteddfod for settlement and its decision accepted without further question. Such protests must be in writing accompanied by a deposit of $50 and lodged at the registered office of the Eisteddfod no later than 4pm on the first working day after the event affected. If the protest is upheld the deposit will be refunded. Please refer to Item 52 below.
52. A protest can only be lodged by an entrant, teacher or parent affected in solo events or in the case of groups, by the group’s conductor or representative as named on the entry form for the event or by the principal of a school or academy.
53. Legal requirements prohibit private use of cameras or recording devices at our venues and events. Laptops, iPads, tablets, pagers, alarms, personal headsets and all other electronic devices must be switched off in competition venues.
54. The Eisteddfod will not be liable for personal items lost or stolen. Valuables should not be brought into competition venues and any school bags, handbags, instruments or other items should be under the supervision of someone nominated by the entrant at all times. Lost property will be held by the Eisteddfod office or venue for two months only.
55. The Eisteddfod will not be liable for any copyright infringement relating to the submission of photocopies. Entrants should be aware of the APRA/AMCOS rules of copyright.
56. Any rights that should be obtained in respect of recorded music for performance are the responsibility of the performer. The Eisteddfod holds a licence issued by APRA/AMCOS.
57. The Eisteddfod reserves the right to record, film, broadcast, telecast, videotape or photograph any entrant, item or event in the Eisteddfod without notification and any such photograph, recording or broadcast may be used at the Eisteddfod’s discretion for publicity or promotional purposes, but shall not necessarily constitute an endorsement of any participants, and no remuneration or compensation whatsoever shall be attributable to any participants so featured.
58. The Eisteddfod, at its sole discretion, may promote or publicise the profile of any entrant and their participation and publish names and suburbs in the festival program and competition results, including photos via electronic and printed media at its discretion.
59. Personal details provided by an entrant on the entry form are for the Eisteddfod identification use only and are not released to third parties except at the Eisteddfod’s discretion after consultation with the entrant to known organisations when an opportunity may be beneficial to an entrant.
60. Failure to comply with any of the foregoing rules and conditions may cause withholding of prizes, disqualification, and/or a future bar. The decision of the Eisteddfod in all questions or disputes arising out of or not provided for by these rules and regulations will be final. All entries are received according to this condition and in the spirit of friendly competition upon which the Eisteddfod is based, and no dispute shall become the subject of any appeal at law.
61. TICKET SALES: Tickets are non-refundable. All patrons (including children) must hold a valid ticket for the ‘Principal Dates’. At general sessions, all children 4 years and over will be required to have a valid ticket.
You may wish to refer to our FAQs for other useful information.
Dance Category Rules & Conditions
Dance Category Rules & Conditions
The following rules and conditions are specific to the DANCE category. Please ensure you also read the General Rules & Conditions of Entry.
1. Performances are for soloists unless an event indicates otherwise.
2. Registration and performance rules are strictly enforced. Please refer to the General Rules & Conditions of Entry Items 17 to 29.
3. COMPULSORY FESTIVAL e-PROGRAM: Purchase of a Festival e-Program is compulsory for all entrants. Teachers submitting entries for individual students MUST PURCHASE a Festival e-Program for each soloist, except where they share the same family address. As the online entry form only allows for one compulsory Festival e-Program on checkout, teachers who enter multiple students on the SAME online entry form are requested to email: firstname.lastname@example.org to complete their compulsory Festival e-Program purchase requirements.
4. TEACHER’S PASS:
a) SOLOS/DUOS/TRIOS: Teachers who have submitted 10 or more students in SOLO events OR 20 or more students if including ‘Duo/Trio’ events will be eligible for ONE Festival Pass. To claim, they should email: email@example.com no later than Friday 20 May 2022 giving details of each student's name and the event number they are entered. Please allow 10 working days to receive this Pass in the mail. An administrative charge of $10 needs to be paid, so please be sure to make arrangements for this payment at the same time as when applying.
b) GROUPS (4-9, 5-30 & 10-30 dancers): One Free Admission ticket PER GROUP will be issued by the Session Manager when registering and this is given to the person who submits the backing USB. Normal admission charges apply to all other helpers/supervisors/choreographers with the group should they wish to see the performance.
5. Time limits allow for the presentation of ONE ITEM except in scholarships and championships as indicated. Limits are strictly monitored and entrants exceeding them will be eligible for ‘comments only’ - not for a placing.
6. A different item is required for each event unless repeats are specifically allowed. Items performed in a Heat must be repeated in the Final unless otherwise stipulated.
7. If it is specifically indicated that an item may be repeated, it may be repeated ONLY ONCE except when progressing to a Final. An entrant found repeating an item other than where allowed will be eligible for ‘comments only’ - not for a placing.
8. Classical Ballet Solos:
a) Choreography: Choreography from the traditional/professional classical repertoire (or modifications to the choreography) not to be used except in Event 400 & 423.
* 14 & Over Solo Classical Dance Events: Any Traditional Classical costume is allowed. (except in Event 400: Sydney Eisteddfod Ballet Scholarship where specific costume relating to repertoire is compulsory).
* 13 & Under Solo Classical Dance Events: Traditional Classical Short tutu must be worn by girls in all solo classical dances.
9. TARKETT: No tarkett floor provided for tap. Tarkett may also not be provided for Song & Dance. For all other events, including School Dance Events, tarkett will be provided.Where tarkett is provided no tap shoes or footwear with metal will be allowed.
10. FINALS: In solo events with 40 or more entries, ‘Final if required’ will be scheduled as close to the heats as possible. If fewer than 40 actually perform, or if the adjudicator decides the final will not be required, the result will be announced. Finalists to repeat their item/s from the heats in the same costume, unless otherwise indicated.
11. BACKSTAGE CROSSOVER DURING PERFORMANCE NOT ALLOWED:
a) There is no backstage crossover at the Science Theatre, or at the Concert Hall of Sydney Opera House and The Concourse, Chatswood.
b) Under-stage access at the Science Theatre and behind the stage at the Concert Hall of The Concourse, Chatswood is only to be used at the start of the performance.
c) Dancers may be penalised if found running under-stage or behind the stage to gain access to the other side during performance at any of the venues.
a) We will now only be accepting a USB for entrants.
b) RECORDED BACKING TRACK: Please ensure the backing tracks are uploaded onto the USBs properly and clearly named with a tag including Entrant Number, Event Number and Whether starting ON STAGE or OFF STAGE. USBs will NOT BE ACCEPTED if this information is not clearly marked. In case of USB failure, subject to the venue, a phone can be used, as a backup. See Entrant corner for 'USB Policy'.
c) There must only be ONE file on the USB handed in for the Audio Technician to play. If more than one file is on the USB this will hold up the event and marks may be deducted.
d) The USB must be handed to the Session Manager when registering at least 15 minutes before the start of the session or event 'EST' time.
e) After receiving revised advice from APRA/AMCOS, Sydney Eisteddfod will once again RETURN THE USB TO ENTRANTS. These need to be collected with the reports at the conclusion of each event. USBs will only be kept for one week after the conclusion of an event, after which they will be securely destroyed & recycled.
f) No person, unless authorised, may sit with the sound operator.
g) Vocals optional on USB unless otherwise excluded (e.g. Song & Dance).
13. SCENERY, PROPS & COSTUMES: Entrants will be penalised with marks deducted, if any of the following are not adhered to:
a) Entrants, particularly in the Demi-Character events, are requested to note that NO FREE-STANDING SCENERY ALLOWED. Simple hand-held props (basket, scarf, doll, flowers, etc) are permitted only if actually used in the routine. Each entrant is responsible for placing and removing their items on stage. Parents or teachers are not allowed to assist with this set-up.
b) Props may not be assembled anywhere on site at the venue. Props must be easily carried backstage by the entrant themselves WITHOUT ANY ASSISTANCE.
c) Performers must not use fire, sharp or sharp-edged implements, live animals or props of polystyrene components on stage at any time.
d) Props of a height of 1 metre or more that will be performed on in any manner (e.g. for standing, walking, etc) MUST INCLUDE a hand-rail. This is a safety and insurance requirement and CANNOT be waived. All such props must not exceed a height of 1.7 metres.
e) Props on wheels or those mobile during the performance may not be permitted if their use is deemed dangerous. NOTE: All venues have strict regulations that override any safety-related decisions at other venues.
f) Any electronic props being used as part of the routine have to be cleared with Sydney Eisteddfod due to venue security reasons at least two weeks in advance of the performance date. NOTE: All Venues have strict regulations that override any safety-related decisions at other venues.
g) There must be no debris, residue or substance from an entrant’s performance or costume requiring the stage to be cleaned and causing delay to the session. Penalty applies. No liquids, soap bubbles or excessive body talc should be used and the surface of the stage must not be coated.
h) ROSIN IS NOT TO BE USED in any part of the venue, dressing room or stage area.
14. The use of house curtains is not allowed unless authorised by Sydney Eisteddfod Officials in special cases.
15. PROPRIETY: Make-up, costumes and choreography should be suitable to the age of the dancers and sexually explicit actions avoided. It is incumbent on teachers and parents to ensure that all competitors dress age appropriately. Marks may be deducted by the adjudicator.
16. DRESSING ROOM: Dressing Room facilities at the Science Theatre, Shore School and at The Concourse, Chatswood, and are shared. Entrants are therefore requested to come as pre-prepared as possible - especially make-up. Your co-operation is much appreciated. Dressing in the hallways or foyer is strictly prohibited, changing may only take place in the allocated dressing area.
a) Demi-Character: Must be based on classical technique and have a strong story line or characterisation clearly transmitting an emotion. Title only (not a synopsis) MUST BE PROVIDED when registering. Please be aware of what are considered suitable ‘props’. See item 13 above.
b) Tap: Tap music accompaniment can include vocals. Recorded tap routines are not allowed. Stage will be mic’d for all tap events.
c) Jazz: This may include lyrical jazz and musical theatre. Choreographers should be aware of jazz techniques. Acrobatic actions are performed at own risk. Selection of music should be suited to age of dancer.
d) Song & Dance: No microphones provided. Dance tarkett will NOT be provided. May include pop/rock/jazz/tap. Selection of song should be suited to age of dancer. USB accompaniment must be music only without any vocals.
18. Dancing out of section to quality for championships or scholarships is strictly prohibited. Age groups are strictly adhered and dancing out of age group is also prohibited.
19. No parents OR teachers allowed backstage except for ONE nominated supervisor for group events.
20. SCHOOL DANCE GROUPS: Events 517-530
A person is permitted to perform only ONCE in an event. No tap shoes allowed or footwear with metal in events 517-530. Cross elevation of advanced juniors is allowed. These events are restricted to Infant, Primary & Secondary Schools only. A group may represent one school or two schools combined. Participants must be bonafide students of either school. A group comprising students from three or more schools is not allowed. However, other combinations may be allowed, especially for regional and certain interstate schools, at the discretion of Sydney Eisteddfod. Different combinations need to make written application to Sydney Eisteddfod for special consideration and the decision of the Eisteddfod will be final. For equitable adjudication, professional dance academies and specialist performing arts schools with accreditation are excluded. Pointe work is not compulsory. Schools may also enter any of the other dance events.
21. IMPORTANT NOTICE: Sydney Eisteddfod’s mission continues to promote ‘live’ performances in our annual Festival. However, should a pandemic preclude this, it reserves the right to ask all entrants to send in videos to continue to be able to perform their work/s.
Event 400 Repertoire List
Required Classical Variations for the Sydney Eisteddfod Ballet Scholarships.
Traditional costumes to be worn. It is advised that entrants keep, as close as possible, to the traditional/professional repertoire.
- 1st, 2nd, or 3rd Soloist Variation (Kingdom of the Shades)
- Gamzatti Variation from Grand Pas de Deux, Act 2
- Nikiya's Death Variation, Act 2
CARNIVAL IN VENICE
- Satanella’s Solo
- Swanhilda’s Variation, Act 3
- Kitri's Solo, Act 2 (Dulcinea Solo)
- Kitri’s Solo, Act 3
- Queen of the Dryads, Act 2
- Giselle’s Solo, Act 1
- La Esmeralda’s Variation, Act 1
- Odalisque 3rd Variation, Act 1
- Dance of the Sugar Plum Fairy
- First Girl’s variation from Pas de Trois, Act 1
- Pizzicato Variation Act 1, Dream Scene
- Dream Solo, 2nd Variation, Act 2, 6/8 Allegretto
- Aurora’s Variation, Act 1
- Aurora’s Variation, Act 3
- Lilac Fairy Variation, Act 1
- Prologue Fairy Variations:
- Fairy 1: Candide/Candor/Crystal Foundation
- Fairy 2: Coulante/Fleur de farine/Flowing/Wheat Flower Fairy
- Fairy 3: Breadcrumb/Fairy of Generosity/Miettes qui tombet, D major, 2/4 allegro moderato
- Fairy 4: Canari/Songbirds
- Fairy 5: Violente/Fairy of Passion, 2/4 allegro molto vivace
- Fairy 6: Lilac Fairy/Fairy of Wisdom
- Princess Florine’s Solo, Act 3
- Odette, Act 2
- Odile’s Variation, Black Swan, Act 3
- Golden Idol Variation
- Franz’s Variation, Act 3
- Peasant Pas de Deux 2nd Variation, Act 1
- Count Albrecht’s Variation, Act 2
- Slave Variation, Act 2
- Basilio’s Variation, Act 3
- James’ Variation, Act 1
- Male Variation
- Grand Pas de Deux Variation (Tarantella), Act 3
- Boy’s Variation from Pas de Trois
- Jean de Brienne’s Variation, Act 3
- Pas de Trois, Act 1
- Siegfried’s Variation, Act 3
Levels in this Event
|Classes 1, 2 ,3, 4||11/7/22||Sydney Dance Company - Studio 5|
|Classes 5, 6, 7||12/7/22||Sydney Dance Company - Studio 5|
|Heats - Classical Solos||13/7/22||The Concourse - Theatre, Chatswood|
|Quarter Final - Free Variations||13/7/22||The Concourse - Theatre, Chatswood|
|Semi Final - Masterclass||15/7/22||Sydney Dance Company - Studio 5|
|28/8/22||Sydney Opera House - Concert Hall|
Tickets will be available for purchase from Sydney Opera House website soon....